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He makes visible that which is rarely seen: people with disability experiencing sexual pleasure.RYAN O’CONNELL would like you to know that he is tired and pissed off and horny. Twice in the film Banks is shown in a passionate kiss with another man. When one celebrity humorously responds to his question by assuming he is straight, the point is neatly made that a non-normative sexual expression is inconceivable to many. At one point he is seen interviewing guests at the Logie Awards red carpet, asking them why people with disability are not featured in mainstream Australian media - and certainly not allowed to be sexual. On the topic of inclusion and representation, Banks is not afraid to provoke.
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In earlier research, I spoke with a lesbian with intellectual disability who described a 2009 kiss between two female characters as “one of my favourite parts” of the TV soap Home and Away.īut a 2016 report from Screen Australia confirms the notable under-representation of LGBTQI characters (5%) and characters with an identifiable disability (4%). In our own voices: 5 Australian books about living with disability The audience is presumed incapable of making the effort to read captions or invest effort in the act of listening. His story becomes mediated through another person. The audience misses the authenticity in Banks’ communication, and the opportunity to connect more directly with his experience. At other times, the use of the narrator is confusing. When Banks speaks on camera, his speech is subtitled because it can be difficult to understand. So it’s rather jarring to hear voice-over actor Lachlan Tetloe-Stuart, who doesn’t have a speech impairment, read Banks’ first-person narration. Eventually, he politely announces he will be hanging up.īanks, pictured here, is a master communicator, yet the film uses a voice-over actor to read his first-person narration. In the film, when he dials a wrong number, Banks patiently uses a variety of techniques to help the person on the call understand what he is saying. He capitalises on his diverse communication as an artistic strength. His part raunchy, part cheeky “oooh” is a kind of audible signature that alerts the room to his presence.Īlthough - or perhaps because - Banks has a speech impairment as a result of cerebral palsy, he is a master communicator. In his own voiceīanks and I are both part of the Geelong LGBTIQ community.
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The NDIS has led to a number of changes and improvements in the lives of people with disability in Australia, but the exclusion of sexuality continues. When available at all, it typically focuses on the “nuts and bolts” of sexuality without creating space for the nuance and exploration of the human experience.
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The current state of sex education and information provision for people with disability in Australia is deficient. It’s easier for us to talk about - and formulate strategies for changing - discrimination in employment, education, and housing than to talk about our exclusion from sexuality and reproduction. Sexuality is often the source of our deepest oppression it is also often the source of our deepest pain. As disability advocate and writer Anne Finger has put it: Taboos around sexual identity and sexual expression form one of the barriers faced by people with disability.